The Musical Sino Ka Ba, Rizal


PRODUCTION – LIBRETTO Nonoy Gallardo RESEARCHERS Aurora Quadra / Miralyn Gamba LYRICS / MUSIC Gary Granada FEMALE VOICES: Bayang Barrios / Lani Misalucha MALE VOICES: Noel Cabangon / Gary Granada AUDIO ENGINEER Benjie Sengson PRODUCER Angie Quadra

May I dedicate this little work to a town called Maco where I was born and raised (though not vertically) not through formal piano lessons (for I have yet to learn how to read music) but on affirmations from family, friends and teachers in a joyous community. There, for six months, I worked on the songs of this musical as a commissioned professional, but what truly sustained my spirit was the very same candid folksy affection of a lively people in a small place with a big river and a bigger heart that can only be Maco, ever my home.

PLEASE TAKE NOTE
This is not the soundtrack of the actual musical, obviously. This recording represents the original intention of the composer (sort of a composer’s cut). A recording of the music used in the play should be available soon. We are quite sure you will enjoy both versions, but expect a couple of differences. One, as compositions, the emphasis of this version is the melodic line rather than the orchestration and choral harmony (note the very bare instrumental arrangements and choir parts rendered in unison). And two, in this one there is a deliberate attempt to engage Rizal in a theoretical mess. For instance, while admiring Rizal’s El Filibusterismo, Jaena questions the vagueness of Rizal’s political agenda. Also, Bonifacio is dismayed by Rizal’s apparently confused loyalties while living his own confusion in continuing to use Rizal’s name as figurehead of the Katipunan. And so forth.

On the side, all these talk about revealing ‘the human side of Rizal’ doesn’t make sense, as if to be truly human is to be truly mediocre. Rizal is human, because it is truly human to be very passionate about one’s convictions and pursue such very truly human things as liberty, equity, justice, progress and self-determination. It is truly human to be really intelligent and to work real hard and to have real fun. It is truly human to invest the prime of one’s life in humanity’s enduring quest for human compassion and human solidarity. Unless of course we’re saying there aren’t too many human Filipinos.

-Gary Granada


The Musical Sino Ka Ba, Rizal
Andres Cristobal Cruz

Asking “Sino ka ba, Rizal,” and attempting to answer it through a musical is risky. But Rizal himself might have enjoyed the musical, on both the tape and the free to the public Quirino Grandstand presentations. There is no question mark to the title.

I watched ringside, as it were, the musical on People’s Television. And either the stage microphones or the channel itself was defective. What I could have done was to play the four tapes as the musical progressed from Rizal’s Ateneo to Madrid, Hong Kong, Dapitan and Bagumbayan. But Sino ka ba, Rizal on stage and the musical on tape were different, very different from each other

The stage production was by Music Theater Philippines (Celeste Legaspi sent me an invitation). On television, however, whoever was director should be given minus-A for effort, but a bravo! for focusing on Ogie Alcasid’s real tears in his last scene (I could almost hear the girls in the audience in front saying, “Umiiyak! Umiiyak si Ogie!”). People’s Television directors for musicals in the future should study the play, the characters and the episodes well. It would help to have more cameras. We need not remind PTV-4, directors hired and otherwise that a musical or a play or an opera is not news coverage.

The musical on stage, although with no sets (except a poorly made papier-mâché statue of Rizal, a chair and a table for Rizal) was much too episodic—one song, one scene with dim lights in between. But then the musical moves in time and space, from Rizal’s boyhood in Calamba to his execution at Bagumbayan.

The recorded musical

The original libretto of Sino ka ba, Rizal is by Nonoy Gallardo and the music was written by Gary Granada. The four tapes to the musical are sung by Lani Misalucha and Bayang Barrios, by Noel Cabangon and Gary Granada. Granada, as his admirers say, has long gone back to the family bakery in Maco, Davao, where Gary says he worked on the musical which he dedicates to Maco.

Gary adds that “what brought out the better composer in me…was the very same candid, folksy and real affection of a lively people in a subtle place with an attitude that can only be Maco. Ever my home.”

Gary composed 36 songs for Sino ka ba, Rizal.

The melodies are very fluent. Words and lyrics can be sung easily, and some are even memorable. I liked best “Leonor, Leonor,” which recalls the movie West Side Story’s “Maria, Maria”:

Si Leonor…si Leonor…
Leonor, Leonor, Leonor, Leonor
Mi solamente amor

Tuwing ang mukha mo’y nasisilayan
Leonor, Leonor
May kung ano’ng tumutunaw sa tuhod ko
Leonor, Leonor…

The musical’s libretto on tape has Rizal singing Di na nakapagpaalam, but on stage at the Quirino Grandstand it was Rachel Alejandro who sang the song beautifully. The stickler to the original libretto would object because the sentiment in the song is Rizal’s, not Leonor’s (Rachel). For 1997 (proclaimed Diwang Filipino Year, not Bonifacio Year to mark the centennial of his death on May 10, 1997), we need a musical like Sino ka ba, Rizal on tape and on stage, and certainly on television for appreciation by Filipinos here and abroad.

Site Editor’s Notes: MTP originally comissioned Gary Granada to write the songs for the stage musical. These compositions for Sino Ka Ba, Jose Rizal are recorded on a double cassette, boxed album (now in double-CD) released by Backdoor Records. The music used for the staged MTP musical, however, was not Granada’s.–mabq


photo by joshbousel


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7 responses to “The Musical Sino Ka Ba, Rizal”

  1. Volt de Leon Avatar
    Volt de Leon

    I will be producing a play on Rizal and I would like permission to use some of the soundtrack of this musical ‘Sino Ka Ba Rizal’.

    Please advise who I should contact.

    Thank you.

    Volt de Leon

  2. Rosalinda Olsen Avatar
    Rosalinda Olsen

    This musical is the best ever representation of Rizal as a man, a patriot, and a man of knowledge. Most important, the author of the libretto, assisted by the researchers, used their reason rather than rely on historians. The music is a fantastic blend of the Spanish and American influences on Filipino music. I hate “Rap” but the rap portion of a fictionized dialogue between Viola and Rizal, is just simply wonderful!!!

  3. erniea Avatar
    erniea

    Volt – you may call/text 09209047929 Or e-mail ynadalisay@yahoo.com for permissions.

  4. sarongamigo8 Avatar
    sarongamigo8

    I love to hear the musical about Dr. Jose Rizal. The musical reminded me of my younger days when my father first told me about the national hero. I love to hear Rizal’s ideals and I am his avid fan. Jose Rizal influenced my thinking and as I ponder with his teachings, I realized how stupid I am not to act for the sake of my country. His teachings seem to incite me into a new revolution, a revolution he initiated more than a hundred of years ago – this is a revolution against social ills and from within the hearts and minds of the Filipinos.

    I want to learn more about Jose Rizal, my idol, my inspiration. I want to become familiar with him. I hope that somebody will help me like what my father did some 22 years ago.

  5. […] PRODUCTION – LIBRETTO Nonoy Gallardo RESEARCHERS Aurora Quadra / Miralyn Gamba LYRICS / MUSIC Gary Granada FEMALE VOICES: Bayang Barrios / Lani Misalucha MALE VOICES: Noel Cabangon / Gary Granada AUDIO ENGINEER Benjie Sengson PRODUCER Angie Quadra (Listen to the Music) […]

  6. ArefHereford Avatar

    May I seek clarification of the last note:

    “Site Editor’s Notes: MTP originally comissioned Gary Granada to write the songs for the stage musical. These compositions for Sino Ka Ba, Jose Rizal are recorded on a double cassette, boxed album (now in double-CD) released by Backdoor Records. The music used for the staged MTP musical, however, was not Granada’s.–mabq”

    If it was not Mr.Granada’s, whose is it? And what does the initials “mabq” stand for?

    Thank you for any feedback.

    Aref

  7. Angela Avatar
    Angela

    Are you aware that there is a musical composition of Leonor by Alejandro Vinteres more than 50 years ago. Hope this can be a part of the musical Sino Ka Ba, Rizal?

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